Monday, 7 October 2013
Oscar Gustave Rejlander
There is not a lot known about the photographer Oscar Gustave Rejlander, and what we do have is only from comments in conversation he made personally. Even then it is unclear any of it can be trusted, born in Sweden he studied fine art and moved to Rome to make copies of large renaissance paintings. When he discovered photography he quickly realised how useful it can be in the hands of an artist, he began taking pictures with sentimentality and strong theatrical, emotional elements with hints of humour. Given his studies earlier in his life he also gravitated towards a classical style of imagery with ornate, grand sets he recreated his favourite renaissance paintings and constructed some himself. I like the poses he has people stand in, they are very classic and have a narrative all of their own, with a contemporary look and classical poses I think I could use these qualities as a juxtaposition in my photographs.
Richard Tuschman
Saturday, 5 October 2013
Explore and Experiment
Wednesday, 13 February 2013
Risograph printing
Monday, 4 February 2013
Personal letters
For my image and text I want to explore the personal things people send to each other through various mediums, such as here; letters. Its fascinating looking at peoples letters to each other in the past, how they worded things, how they wrote etc.
Monday, 21 January 2013
Alec Soth
Minnesota born photographer Alec Soth's book, 'looking for love', is what I think Robert Frank would have photographed if he were single and lonely. The whole book circumnavigates the feeling of loneliness, that emotion we are all searching for and those who have it. In a magazine interview following the launch he describes his work as searching for the central point of quiescence and documenting the space between him and the subject -
You say you document the space in between the subject and yourself. How do you define that space, where exactly is it, how do you reduce the distance between you and your subject, lens and film, light and shadow? Do you kill or revive? Do they look at you or what do they see inside your lens?
I wouldn’t say that I’m trying to reduce the space between myself and the subject. I’m not trying to probe into their soul. We aren’t making love. I don’t really have any motivation other than to stare.
He also comments on the look he got from couples he was photographing, sort of a 'get back, this is mine' stare. Maybe its the emotion he is exhibiting that makes the images attractive, but the narrative and eye for a documentary photograph Soth has is commendable. He incorporates humour, sadness, irony and similarities between subjects like a real life theatre production, only the actors dont know theyre taking part.










